| Owning 50s vintage dresses provide insight into an | | | | Claire McCardell is a fashion designer widely known |
| exciting era for dressmaking. The Great Depression | | | | helping bring American fashion into popularity pushing |
| long gone, the various restrictions of WWII were lifted, | | | | the long dominance of French style aside. This included |
| manufactures were all geared up for mass production | | | | being a leader in the development of ready-to-wear |
| of quality products, and women wanted the glamour | | | | fashion in the US. Well into the 50s she was designing |
| of Paris. Take all that and stir it together and you have | | | | stylish clothing that was functional, simple, and able to |
| an economy ready to take off. | | | | be mass-produced. Finally, she is chiefly responsible for |
| Much of the 50s vintage dresses were styled after | | | | the creation of the "American Look," a style that was |
| Dior's fashion collection released in Spring-Summer | | | | casual and chic. |
| 1947. The two lines, Corolla and Eight, have become to | | | | McCardell received various awards and |
| be known as the 'New Look'. The signature shape of | | | | accomplishments before passing away in 1958. She |
| this New Look was a large bust, small waist, and a full | | | | was presented with Women's National Press Club |
| skirt with a length just below mid-calf. | | | | Award in 1950. The Frank Perls Gallery presented an |
| Some of the most notable American designers of 50s | | | | art exhibition of her dress designs in 1953. Time |
| vintage dresses were Claire McCardell, Mainbocher | | | | magazine placed her on the cover of their May 2, 1955 |
| (Main Rousseau Bocher), and Galanos Originals | | | | issue. In addition McCardell has been mentioned |
| (James Galanos). | | | | numerous times since her passing for her incredible |
| Claire McCardell | | | | contributions to fashion. |